August 2023, Great Portrait Photographers
August 2023, Great Portrait Photographers
Keeping you informed about happenings at Deliberate Light: photos to browse or buy, photography instruction (see also Digital Photo Academy), and services. Also, sometimes my thoughts on a photography subject, this month Great Portrait Photographers. To get these newsletters by email a month before they are posted here, go to the DeliberateLight.com website and click on Newsletter Signup.
NEWS
Upcoming Workshops. I am scheduled to teach the following workshops this month.
August 19, location: Manayunk, Philadelphia
A pretty old town with a picturesque main street and old canal, as well as photo ops from the walking bridge over the Schuylkill River and from the churches and parks scattered in the residential area on the hillsides along the river.
· Mastering Your Camera Controls (1.5 hours) – DSLR/Mirrorless/Compact cameras (smartphone tutorial available separately)
· Composition in the Field (3 hours) – walking tour around the venue with instruction and hands-on practice composing photos (bring any camera)
Coming classes on September 16 in Old City, Philadelphia
The area along Market Street between the Delaware River and Independence Mall is the earliest part of Philadelphia settled by William Penn and the Quakers. It is replete with many opportunities for architecture, history and street photography.
New Photo. The soft light and colors, gritty textures, and sensuous lines of Upper Antelope Canyon in Arizona, combined to amaze and delight me, as I walked through it as slowly as possible with my equally astonished wife and brother-in-law, resisting the friendly urging of the Navaho guide to keep moving so other people can experience it as well. It is a place that demands contemplation. I think about the millions of years of flash floods through the caverns as the god of waters shaped the sandstone rock in its own image. For a more detailed, enlarged view, see it on my website.
VIEWS
Since I discussed a group portrait painting last month, I decided to follow the theme this month and show a few photographs by some of the greatest contemporary portrait photographers. An underlying idea for me regarding portraiture is that while technique is important, and all these photographers are technically brilliant, it is not sufficient for greatness: for that, the face and body language must tell the viewer a story. (As before, to avoid entanglements with copyright infringement, I am providing links to photos for you to enjoy, instead of copying the images themselves.)
Richard Avedon (1923 – 2004) Crossing art and commercial lines. Few people have been able to successfully straddle the line between fine art and commercial photography, but Avedon did. Avedon’s fashion photos, where he began his professional career are creative and justly famous, but where he stuns me is in portraiture. Whether photographing mine workers in Colorado or the rich and famous, he was able to uncover the person behind the façade. In his own words, “My photographs don’t go below the surface. I have great faith in surfaces. A good one is full of clues.” The first photo below is a joyfully vibrant photo of a fashion model and the second is a rare hauntingly unguarded photo of one of the most glamorous people of the 20th century.
Twiggy – hair by Ara Gallant Paris 1968 MoMA
Marilyn Monroe – actress New York 1957 MoMA
Nadav Kander (1961 – ) Intensely intentional artist. Best known to the public for his 2016 Time Person of the Year photo of Donald Trump glowering ominously over his shoulder, Kander photographs are always beautifully and carefully lit and composed. He describes his photos as having a “sense of quiet and unease” and says that “nothing should be considered ‘out of bounds’ to my art practice.” His are works of art, not documentation and as such, are often edited to intensify the portrayal. In the Attenborough photo below, we see Kander at his most realistic and even here the lighting and pose perfectly convey the personality of this vitally engaged naturalist. The second photo shows Kander’s adeptness at conveying mystery and drama for a great British actor.
David Attenborough – London 2012
Annie Leibovitz (1949 – ) Great choreographer. Responsible for some of the greatest photographs of Rolling Stone magazine, Leibovitz has also been very active for Vogue and Vanity Fair. Influenced by Avedon (which is apparent), not surprisingly Leibovitz also successfully straddles the art/commercial worlds with photos of pop culture, political, and fashion icons. Leibovitz photos are often carefully set and composed, likely with a great deal of planning ahead of time. In the two links on the first line below, you can see the fun side of her work in the Captain Hook photo for Disney and a BTS shot of the elaborate setup for it. Obviously, Photoshop was involved in the final image. The next photo is probably her most famous portrait, a remarkably intimate study of John and Yoko for a future photo shoot, taken using a Polaroid camera hours before John Lennon was shot to death.
Russell Brand as Captain Hook BTS view of Captain Hook
John Lennon And Yoko Ono, 1980
Steve McCurry (1950 – present) Photographer of the Human Story. I included McCurry in my newsletter about Great Landscape Photographers, but he is probably better known for his portraits. His most famous photo is that of the Afghan Girl in 1984 showing an angelically beautiful Afghan refugee in Pakistan during the Soviet-Afghan war, fear and hope both evident in her expression. Her story of course, did not end with that photo. Many years later in 2002, McCurry tracked her down again, living in poverty, and photographed her as a worn looking woman from whom hope has departed (sscroll down in the link below), completely unaware of McCurry’s photo and its fame. In subsequent years, she lost her children and husband and became something of a political hot potato between Afghanistan and Pakistan. In 2021, she was airlifted to Italy out of Afghanistan during the U.S. troop pullout, and I have no idea what has become of her since. Sometimes even great photography only begins to scrape the surface.
Carl Finkbeiner
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